M E R I D I A N M A G A Z I N E
Eternal Masterpieces
By C.S. Bezas
As this seminary year draws to a close for many seminary teachers around the world, I've pondered the similarities between seminary teaching and painting. Notice how well these painting terms could also apply to a seminary setting:
adhesion — how well the paint sticks to the underlying material
adhesion — how well our lessons stick in the minds of our studentsback priming — protecting the back of wood to keep moisture from impregnating the wood
back priming — protecting our students against the seepage of evil in the worldblistering — when paint has been applied prematurely
blistering — when our teachings have been applied before the students are readycatalyst — something that speeds up a reaction
catalyst — when the Spirit acts to solidify a spiritual teachingcaulk — a compound used to seal crevices
caulk — a spiritual compound such as love to heal the cracks in our students' heartscohesion — how well the paint coat holds together
cohesion — how well the class holds together
When you are preparing to paint a room in a home, there are a few steps that are well-advised to ensure success. First, you need to prepare the surface that you will be treating. Second, you need to have the right equipment. Then you paint. Then you clean your equipment in preparation for the next project.
An excellent seminary teacher does much of the same, only in spiritual ways some of which are listed here. For after all, we're not about painting homes; we're about helping our students to determine to create and "paint" personal lives of eternal masterpieces.
1. Prepare the Surface for "Painting."
As you wind down from teaching the Doctrine & Covenants in seminary this year, soon enough you will be winding back up to teach the Old Testament to a new batch of kids. Here are a few things to consider as you prepare future spiritual surfaces for "painting."
Just as in preparing a wall before you paint it, this is one of the most important ways you can prepare youth for next year's spiritual "painting" lessons. Just as a designer carefully selects color layouts and plans for intended rooms, as seminary teachers it would behoove us to understand the lives of our students as we design our lessons for them.
These are just a few things to consider as you prepare spiritual surfaces for "painting." No doubt you've thought of others. Take just a few minutes to jot down any additional ideas that have come to mind. Then over the next few weeks, begin bringing them into play. Not every room that needs paint requires the same amount of preparation. This is where prayer and fasting factors in.
2. Get the Right "Equipment."
Just as the right paint brush can make all the difference in applying your paint, so too for the proper spiritual "equipment."
These are a just a few of the important "equipment" pieces to aid your spiritual "painting" endeavors. No doubt you have thought of others. List them now and take some time over the next few weeks to obtain them and become familiar with them.
3. Paint.
It is true that while painting, we experience paint splatters and spills. But as we persist, the room being painted takes on an exciting glow of fresh color and renewal.
During the seminary school year, we also experience spiritual paint splatters and spills. We otherwise call these highs and lows. But as we persist, we can begin to see a renewal in our students through this spiritual painting process.
We begin the year with empty surfaces of hearts, minds, and souls of our students. As the year proceeds, and as we lay on the new "paint," the spiritual surfaces of our students' lives take on a vibrancy that can be quite exciting. It makes the paint splatters worthwhile.
It is during this time it would behoove us to keep a journal of our painterly activities. What brought about the brightest of spiritual colors for our students? We would want to record that in our teacher's journal for the next time we might need a similar activity. For example, some students learn better from interactive exercises. Others learn from student-driven activities. Others are best inspired from worksheet/research moments. Notice what paint strokes bring about the brightest hue for your particular group of students.
On the other hand, what dulled the spiritual "paint"? It would be important to record the experience so as perhaps to avoid it in the future. As we keep a record, this will help us avoid any future "blemishes" that we may have encountered previously.
Yes, indeed, a journal can be a spiritual painter's/seminary teacher's best friend. Because when the room is finished (or in our case, the school year), we will want to know which of our painterly techniques served us best. That way the next year we will be able to do it all over again with hopefully even less paint splotches and marrings as we go along!
4. Clean Your Equipment.
It makes no sense to paint beautifully a room and then leave all the paint equipment sitting out, with paint hardening and brushes stiffening. Just as we must prepare a surface, so too do we need to "clean up" when we're done. Here are a few suggestions for the end of a seminary school year. Take time to:
These are just a few ideas. What others have come to mind? Make sure you jot them down and follow through so that your "clean-up" has been thorough.
Summary
Of all the painterly terms we could use in reference to seminary teaching, the most important one very well could be:
caulk— a compound used to seal crevices
caulk — a spiritual compound such as love to heal the cracks in our students' hearts
Truly, after all we can do, it is the Spirit that will inspire us with the spiritual caulking we need to heal and seal the cracks in our students' hearts. With the Spirit "caulking" the way, the reality of the Lord's atonement and love for each student can become part of their very makeup.
An excellent seminary teacher does so much of the same work as a painter. Only in many ways, the masterpieces left behind are eternal ones.