Temple in The
Hague, Part 2
Our Temple
A Photo Essay
Text: Maurine Jensen Proctor
Photos: Scot Facer Proctor
Our
Temple
As Cornelis
Debruyn said of this new temple in The Hague, “This is our
temple. The Dutch have a long history of temple-going because
there is nothing easier in Holland than finding records. People
here take their own family files to the temple to do the work.

“The
Frankfurt Temple has a high percentage of people who do their
family files and much of that has to do with the Dutch.”
He mused on this while he stood at the temple door, an usher for
the temple dedication, and then suggested we take his picture
with a dedication ticket.

He said that
he likes to tease Americans who come to Holland. “How often
do you go to the temple?” he asks. “I live near the
temple so I go often,” one will answer. “How often?”
“Once a month.”
“So you
go 12 times a year?” Cornelis teases. “When we go
for a week to the Frankfurt temple, we are able to do 17 sessions
in one week—and we try to do that two or three times a year.”

Behind his
words is a sentiment that is etched on the faces of the Saints
attending the dedication. We have waited long for a temple, and
we will never take it for granted.
Designed for the Dutch

Hanno Luschin,
project manager of the temple in The Hague, said the building
reflects the area, especially in the use of water.

People step
across a pool of water that sprays into a graceful fountain as
they approach the temple door, and in building a temple below
sea level, water was a primary concern.

It was built
on wood piles that plunge 20 meters (about 60 feet) into the ground
which are then covered by a concrete slab. The weight of the temple,
which is waterproof, holds the piles down in place.
The temple
was built on the site of an old Dutch Reformed church which the
Church had purchased some years ago and had been using as a meeting
house.

Brother Luschin
noted that construction workers (who are not necessarily members
of the Church) have to live by a certain standard while on the
job. They are told that there can be no swearing, drinking, or
smoking on the site, nor can there be loud inappropriate music.

Materials and
building standards throughout all the temples must be at their
highest possible level of excellence. This does not mean that
marble would be used in a janitorial closet, but that the concrete
on that floor must measure up to the highest level for that material.
“It’s not just another job to construct a temple,”
says Brother Luschin. “Just as we can drive by a European
cathedral and it is standing in beauty centuries after it was
built, we expect temples to stand and be beautiful for a very
long time, built to arise to that level of expectation.”
Click here to continue
to Part 3