M E R I D I A N M A G A Z I N E
New
CDs Offer Sounds of the Season
Reviewed by Laurie Williams Sowby
It wouldn’t be Christmas without music, and LDS artists contribute their share. Here’s a sampling of the latest; most are available through LDS retail outlets.
Christmas Dreams (Covenant) offers lively, fresh arrangements of traditional tunes featuring pianist Marshall McDonald, who creatively incorporates other instruments as well. Much of this one has a reverent tone, as with the piano-cello "Away in a Manger." New songs include "Christmas This Way," written by McDonald and his sister Rebecca, and orchestrated music from his film score for Christmas Oranges. An innovative arrangement combines "Carol of the Bells" with "God Rest Ye, Merry Gentlemen," and "Ring Out, Wild Bells." A pleasant blend of traditional and new will keep the listener listening — and appreciating the musical gifts of Marshall McDonald.
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Octapella Christmas is an exceptional album by seven (not eight) exceptionally
talented guys. They put a twist on the traditional with their own vocal percussion,
tight harmonies, and delightful arrangements of holiday standards. "Once
in Royal David’s City" and "O Holy Night" are given reverent
treatment, but their upbeat pop tunes such as "Mary’s Boy Child,"
"Sleigh Ride," and a just plain fun "Joy to the World"
will gain instant admirers. Octapella especially appeals to listeners who
appreciate harmony and rhythm. (They also get the prize for the most extensive
liner photos.)
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Christmas Wish (Tulip Tunes) is Lauri Carrigan’s seasonal offering. She
has a pleasing voice and a mostly jazz style as she sings "Where Are
You, Christmas?" "I’ll Be Home for Christmas" and "Have
Yourself a Merry Little Christmas." There’s a jazzy duet of "Winter
Wonderland" with Alex Boye and her own song, "Make Room for Him."
With James Marsden, she wrote "Christmas Tree, You and Me," a song
about a loved one far from home, and she sings it here. The skimpy liner notes
don’t make it clear whose arrangements are used, but the words to the two
new songs are included.
The Gift (Tydal Wave Records) features Ryan Shupe and the Rubber Band
in some different arrangements that follow bluegrass and laid-back country
styles. The title cut’s an original by Shupe, who also sings lead vocals on
the Latin-flavored "Rudolph, the Red-Nosed Reindeer." Even familiar
words like "Far, Far Away"find themselves in new settings with this
band. There’s an unusual banjo version of "The Christmas Song;"
a percussion-laden "Little Drummer Boy;" and a violin, vocal and
percussion arrangement of "What Child is This?"
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Mary’s Lullaby (
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The Joy of Christmas (Covenant) is reflected in David Glen Hatch’s piano artistry
with the likes of "Carol of the Bells," a full-bodied, orchestral
"I Saw Three Ships," and an exuberant, jazzed-up "Fum, Fum,
Fum." He offers an ethereal "We three Kings" and "O Come,
O Come, Emmanuel" and his own excellent adaptation of Liszt’s "Good
Christian Men, Rejoice." But there are a few miscues in this album, too,
notably an off-key toy piano on "Silent Night" and the use of singers
whose presence (although they're not bad) doesn't fit with the piano
album.
LDS Christmas Collection (Reach Productions) — This eclectic CD is really a sampler of 20 individual holiday albums, and it’s a good way to decide which artists’ CDs you want to own. Among the nicest selections are Kurt Bestor’s classic "Hark, the Herald Angels Sing," Nancy Hanson’s country-style "All Wrapped Up," Cherie Call’s "The First Noel," and Donny Osmond’s "Mary, Did You Know?" Enoch Train offers a very non-traditional rendition of "Ding Dong Merrily on High" with folk instruments and a children’s choir, and Jon Schmidt entertains with his take on "Sussex Carol." Also featured here are pianist David Tolk; a cappella groups Eclipse, Voice Male and Octapella; Ryan Shupe and the Rubber Band; vocalists Alex Boye, James Conlee, Brett Raymond, Peter Breinholt, and Jessie Clark Funk; guitarists Greg Simpson and Michael Dowdle; and pianists Paul Cardall and Matt Bachrach. Have a listen, then decide.
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