The
Hottest Ticket in Town
By
Robb Cundick, with pictures by Deb Gehris
Editor’s note: Next week, PBS stations nationwide will air the 2004 Mormon
Tabernacle Choir and Orchestra at Temple Square Christmas concert, “Christmas with the Mormon Tabernacle
Choir Featuring Audra McDonald and Peter Graves.” Meridian
writer Robb Cundick offers this fascinating account of the
filming, as experienced by a member of the choir.
| |
| The
Mormon Tabernacle Choir and Orchestra at Temple Square
perform for the 2004 Christmas Concerts in the Conference
Center in Salt Lake City. |
How did
it come to this? Four concerts in a 21,000-seat hall — making
a total of more than 80,000 tickets — and still they
were all gone in an hour or two!
On the
morning when tickets for the 2005 Mormon Tabernacle Choir
and Orchestra at Temple Square Christmas concerts became available,
there were more than three thousand people lined up
outside the Conference Center ticket office, some having stayed
overnight to be at the front of the line. Phone lines and
the Internet ticket site were jammed; many people never were
able to get in.
Our Christmas
concerts are not just popular, they have become a phenomenon.
And for good reason: every year we find ourselves saying,
“How are we going to top this one?”
Anticipation
is always high when the latest guest artists are announced.
Programs in recent years have featured such internationally-known
celebrities as Angela Lansbury, Walter Cronkite, Bryn Terfel,
Frederica Von Stade, Audra McDonald, and Peter Graves. This
year’s guests were Metropolitan Opera star Renée Fleming and
stage and screen actress Claire Bloom.
But writing
about the Christmas concerts presents a dilemma: Since so
many people are unable to see them live, what’s the fun in
telling about what they’ve missed? Fortunately, those who
are unable to attend have an alternative: for the past few
years our concerts have been produced for future broadcast
on nationwide public television. During Christmas week of
2005, many PBS stations will be airing our 2004 Christmas
offering, "Christmas with the Mormon Tabernacle Choir
Featuring Audra McDonald and Peter Graves." And so, rather
than telling about this year, it makes more sense to
recall last year’s concert, since this will be the
first opportunity for most people to see it.
It is
always interesting to observe the reactions of the guest artists
to the Mormon Tabernacle Choir and Orchestra at Temple Square.
Usually they are performing with us for the very first time.
But no matter what their level of appreciation for us when
they come, they inevitably become great friends by the time
they leave.
Audra
McDonald
Audra
McDonald has the distinction of being the first Broadway actress
ever to receive a Tony Award for each of her first three major
roles; and she has since added a fourth. Critics have hailed
her as the next Broadway diva, comparing her talents to those
of Barbara Streisand, Judy Garland, and Julie Andrews. She
is perhaps the first African American superstar of musicals.
Many will recall her performance as Miss Grace Farrell — Daddy
Warbucks' assistant in the 1999 made-for-television production
of the musical, “Annie.”
| |
| Audra
McDonald responds to questions from producer Ed Payne.
|
When she
first arrived in Salt Lake City, Ms. McDonald was less familiar
with the Choir than many of our recent guests. I had the opportunity
to listen as she was interviewed by Ed Payne, producer for
the Christmas program. In response to a question about her
reaction when she was approached about singing with the Choir,
she said she was surprised — it didn’t seem like the perfect
match at first. However when her in-laws (who are lifelong
Choir fans) learned of the invitation, they strongly urged
her to accept.
When Ed
asked how she felt after her first night of singing with us,
she exclaimed, “It's an incredibly moving, awe inspiring,
spiritual, and fun experience. There are so many adjectives
I could use, and they would all fit. What moves me most about
the Choir is the singularity of sound. They sound like one
voice — one multifaceted voice. Some people might call it
the voice of God or the voice of angels. But it's just a singular
sound that reaches down to the bottom of your soul. I defy
anyone not to be moved by it… to just listen to it is an incredible
experience. To then stand in front of it — to be a part of
that sound; be buoyed by that sound; be supported by that
sound; be enveloped by that sound — is miraculous. This is
going to be an experience that I will have in my heart for
the rest of my life.”
| |
| Even
a Broadway star seldom performs with such musical
forces! |
When Ed
asked what had surprised her the most, she said, “How well
they move… I was watching them during one of the rehearsals
and I said to someone, ‘They're moving like a gospel choir!’
The sound is beautiful, the spirit is high; they're having
a great time. I didn't think they'd be able to move that well.”
(She was undoubtedly referring to our performance of the African
carol, “Betelehemu.”)
After
her interview with Ed, I had the opportunity to talk with
her. I asked if there was anything in particular she would
like to say to the Choir. “Thank you for this experience,”
she answered. “It’s been so wonderful to watch and listen
to the Choir. And the generosity has been overwhelming. That’s
the first thing I said to my husband — that I’ve never been
so well treated in my life. It’s just a warm, good feeling
that the Choir gives — and that’s all secondary to the music.
Thank you for the incredible welcome!”
| |
| With
the women of the Choir dressed in brilliant red, one
can hardly imagine a more festive Christmas scene.
|
I knew
that she had met with our beloved President Gordon B. Hinckley
(president of The Church of Jesus Christ of Latter-day Saints),
and I asked for her impressions. She seemed a little unsure
how to begin and remarked that she wanted to choose her words
carefully so as not to offend.
When she
met him, her first thought was, “I just want to sit down and
hear everything of your history. I want to hear how you met
your wife. I want to hear how your family came over here.”
As she continued I could see that her concern had to do with
the difficulty of finding an appropriate adjective to describe
a man who we revere as a prophet and yet she found so approachable
as to be almost, well… I’ve looked through the thesaurus and
I can’t find the right word, either. “Grandfatherly” might
come close, but it still doesn’t seem appropriate for the
Prophet.
Perhaps
my initial impulse was best: I tried to reassure her by saying,
“That’s the wonderful thing for us, too — he’s just so down
to earth.” “Oh!” she replied, “That’s why I don’t mean to
offend when I say that. Instead of thinking, ‘[He] is [like]
the Pope, I must bow,’ I thought, ‘What a great guy! I want
to hang out with him. I want to sit down over a piece of cheesecake
and just have him tell me some stories about his life and
his history.’” Isn’t that a fun image — President Hinckley
and Audra McDonald swapping stories over a piece of cheesecake?
I’ll bet President Hinckley would think so, too!
Peter
Graves
Peter
Graves has combined an enormously successful career on the
silver screen — where he starred in films as diverse as Stalag
17 and Airplane — with an equally rewarding television
career. He is perhaps best known for his six years on the
television series, “Mission: Impossible.”
Ed Payne
also interviewed Mr. Graves. Once again, the first question
was about his reaction when approached about performing with
the Mormon Tabernacle Choir.
“I was
overwhelmed,” he responded. “This Choir has been a favorite
of mine for a lot of years. I go back to all of the early
morning broadcasts that I used to hear in Minnesota when I
was a little kid, or when I was in college and followed them
all the years living in Southern California… I love music
and I love choir music. This is the premier choir that I know
about. I’ve heard the Vienna Boys Choir, but they sing too
high for me. I was thrilled to be included in this!”
| |
| Peter
and Joan Graves celebrated their 54th wedding anniversary
while Peter was guest artist for the 2004 Christmas
Concerts. Seemingly oblivious to the vast audience,
Peter sang their anniversary song as though Joan were
the only other person in the room. |
If I were
to ask each Choir or Orchestra member what was most impressive
about Peter Graves, I suspect the most frequent answer would
be his obvious devotion to his wife, Joan. The day of the
dress rehearsal was their 54th wedding anniversary. She was
unable to be present that day, but following a weather-delayed
journey to Salt Lake City, she was in the Conference Center
for the Sunday performance. In front of that huge audience,
Peter sang a special song he has sung every year on their
anniversary. To sing to her so intimately in front of that
vast audience — as though it were just the two of them present
— was very touching. When Ed asked for the secret of their
enduring bond, Peter replied, “I get asked that question a
lot, and my heavens there are a lot of different answers to
it. My sister-in-law expressed it best. She said, ‘What’s
the secret to your long, happily married life? ...You promised!’”
| |
| Peter
Graves congratulates Orchestra at Temple Square Concertmaster
Meredith Campbell. |
When asked
what Christmas means to him, Peter said, “It’s about all the
lessons it teaches us — peace on earth and good will toward
man. Those thoughts become stronger in each of us at the time
of the celebration of the birth of Jesus. Unfortunately, most
of the time it doesn’t last much past the first of the next
year, but those are important things
to us — important to remember and to attempt to live by for
all the rest of the year.”
“We hope
that the Choir is trying to spread that message,” Ed told
him. “What are your thoughts on that?”
“The Choir
is absolutely inspirational,” returned Peter. “When they sing
the hymns anyone who is in hearing distance of that cannot
help but be moved and be thoughtful about what they are singing. It is a powerful
tool, that Choir.”
| |
| Audra
McDonald, Director Craig Jessop, and Peter Graves
acknowledge the audience of 21,000. |
As in
previous years, the 2004 Christmas concerts gave the Mormon
Tabernacle Choir and the Orchestra at Temple Square the opportunity
to make yet two more celebrity friends. From now on, whenever
we hear news of Audra McDonald or Peter Graves, our ears will
perk up and we’ll relive fond memories of our experiences
with them. And — if their reaction as we sang “God Be With
You Till We Meet Again” is any indication — it is likely they
will feel the same way when they hear news of us.
| |
| Joan
and Peter Graves, President Gorden B. Hinckley, and
Audra McDonald listen as the Choir and Orchestra sing
"God Be With You Till We Meet Again." |
The
Program
And so,
if — like so many other people — you were unable to attend
one of the Mormon Tabernacle Choir and Orchestra at Temple
Square Christmas concerts in the Conference Center, make the
PBS broadcast part your annual Christmas tradition! In addition
to Ms. McDonald and Mr. Graves, the 2004 concert featured
a special guest appearance by Kristin Hakala, prima ballerina
from Ballet West, Utah's highly acclaimed dance company. Ms.
Hakala performed two selections from The Nutcracker.
| |
| Ballet
West Prima Ballerina Kristin Hakala. |
Vocal
selections included traditional and contemporary favorites
such as “Angels from the Realms of Glory,” “Deck the Halls,”
“Have Yourself a Merry Little Christmas,” “Silver Bells,”
and “We Need a Little Christmas.” African-American spirituals
such as “I Wonder as I Wander” and “Sweet Little Jesus Boy”
were especially powerful and moving as performed by Audra
McDonald. In addition to narrating the Christmas story, Peter
Graves performed “In Search of the King,” based on a story
by Henry Van Dyke.
KUED Channel
7 in Salt Lake City will carry "Christmas with the Mormon
Tabernacle Choir Featuring Audra McDonald and Peter Graves"
several times during Christmas week (click here for a schedule). To see when
the program will air on your local PBS station, go to www.pbs.org,
click on "Programs A-Z," enter your zip code, and
select your local PBS station. Then look for the title. Though
over ninety percent of PBS stations plan to show it, there’s
a chance it may not be available in your area. If that’s the
case, call your local station and ask why! A DVD of the concert
is also available for purchase (click here for
more information).
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