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Back
to the Best Books: Dickens
by
Marilyn Green Faulkner
Editors'
Note: Come and join Meridian's best books club. Marilyn Green Faulkner
will be suggesting a book each month for us to read, sharing insights,
and providing an opportunity for you to write about your response.
A Difficult
Pleasure: Back to the Best Books
"Have you read anything good lately?" This familiar question usually
leads to a discussion of the latest volume on the bestseller list.
Let's talk about this for a minute. What have you read lately? Sure,
you read some great books in college or high school and have picked
up a "classic" now and then since that time. But perhaps you are
feeling that reading has become less satisfying than you would like.
It's hard to focus your reading during the middle period of life,
when family and work take so much energy that there is little left
at the end of the day. So, when you go on vacation you take along
the latest Grisham or Turow, or perhaps even stay up late enthralled
with Stephen King. It's fun stuff, but after awhile the plots all
seem to run together, and you must admit that most bestsellers today
don't come within shouting distance of the thirteenth Article of
Faith. These books can be more like watching television or a movie
than actually reading. Why? The reason is that serious reading is
more like a good hike or a stimulating run than a passive activity.
It is what Harold Bloom calls a "difficult pleasure." You have to
invest a lot of effort in a good book. The vocabulary may be unfamiliar,
the imagery confusing, and the length of the book may call for a
larger commitment of your time than a weekend or so. A good book
asks something of you, but offers in return the same thrill you
feel when you reach the top of the mountain or finish that 5K run.
If you have felt that feeling before and would like to feel it again
it's time to get back to the best books that have ever been written.
Every great
book changes your life in some way. When I was a little girl my
mother was the Cultural Refinement teacher for the Relief Society.
She taught a course titled "Out of the Best Books," using an anthology
prepared by some BYU professors. I loved to sit in her room and
look through the books, and those readings led us both to the complete
volumes from which they were taken. My mother never went to college
or had a career, but she educated herself through reading the best
books, and her eight children reaped the rewards of her efforts.
Each of us is the sum of what we have put in to our minds through
the years. Great books teach us about the shared experience of living,
the complexities of the human psyche and the simplicity of the human
heart. It is difficult to read great literature and be narrow and
prejudiced, and it is easier to understand our own experiences when
they can be examined and illuminated through fictional lives. Great
books, says David Denby in his book by the same name, "speak most
powerfully of what a human being can be."
A Flabby
Brain is Not a Pretty Thing
We know
that television and movies ask very little of our brains, and thus
offer us little in the way of enrichment. A great book engages both
sides of your brain, which is always a good thing, since you are
dealing with ideas as well as events. Thinking about moral issues
in a fictional setting helps us develop a "moral imagination" that
enables us to creatively solve the knotty problems that face us
in real life. That is why it is important that literature paint
an accurate, rather than an idealized representation of the human
heart. The best books show us ourselves with all our imperfections,
but inspire us to rise above those weaknesses to something finer.
That means going a step deeper than the sentimental, feel-good story,
but it also means avoiding the bleak, hopeless fare that passes
for literature in today's world.
Perhaps you
have felt a desire to get back to the best books, but wished there
was a systematic way of doing so. Well, now there is! Welcome to
the first meeting of the Best Books Club. Now that we have called
the meeting to order I'd like to invite you to join me in reading
a great book every month for the next year. We'll alternate between
old books and newer ones, and they will all be taken from the best
books out there. We'll talk about the author and some of the historical
background of the book, and even get into some criticism from different
theoretical perspectives, if it doesn't get too dry. What you need
to do is get a few friends to read along with you so that you can
talk about the book together, and then get on line and offer your
input via email as we go.
Sound like
fun? If so, let's get started.
Where
in the Dickens shall we begin?
Everyone
thinks of Dickens at the holidays, with all those cute little villages
in the Hallmark stores and "The Christmas Carol" being performed
everywhere. Dickens is an ideal place to begin reading the best
books, because he is arguably the greatest writer of prose in the
English language. Having said that, I'll warn you that to open a
novel of Dickens is to wade into a sea of words. We're not used
to so many words in our 30-second sound bite age. Dickens lived
and wrote during the Victorian era (His life, from 1812 to 1870,
was contemporary with Joseph Smith's life and the pioneer era.)
and most of his novels were published in serial form, in weekly
or monthly installments. Rather than trying to tell the story in
the shortest, most direct manner, he was using his prose to entertain
as he went. We have lost some of the feel for the enjoyment of our
language that Dickens shared with his audience, but it is easy to
recapture it. Imagine yourself in the London of the late 1850's.
You have no television, no movies, no Internet, no radio, CD player
or car. You do, however, have a subscription to All the Year Round,
the new periodical published by Charles Dickens, the most popular
writer in England, and the first installment of his newest novel
is in this edition. When it arrives you eagerly take it home and
gather the family in the living room after dinner. When everyone
is settled you open the paper and read these words:
"It was the
best of times, it was the worst of times, it was the age of wisdom,
it was the age of foolishness, it was the epoch of belief, it was
the epoch of incredulity, it was the season of Light, it was the
season of Darkness, it was the spring of hope, it was the winter
of despair, we had everything before us, we had nothing before us,
we were all going direct to Heaven, we were all going direct the
other way - in short, the period was so far like the present period,
that some of its noisiest authorities insisted on its being received,
for good or for evil, in the superlative degree of comparison only."
Thus begins
A Tale of Two Cities, Dickens's take on the French revolution. It
is more than that, of course, as the title hints. It is a story
of how political movements affect nations, cities, and above all,
families. As the introduction states, "History leaks into everyday
life, almost invisibly; domestic tragedy has public reverberations."
Beginning with an old man, making shoes in a dark corner of a prison,
Dickens weaves a tale of a family torn between the two sides in
a national conflict over the course of about twenty years. The two
cities are, of course, London and Paris. The French revolution had
repercussions throughout Europe, and Dickens, skeptical of any political
system, explores the evils of both the monarchy and the new republic,
portraying both worlds with dramatic flair. The novel's opening
paragraph is so famous because it seems to describe every period
of history, and certainly seems applicable today. Reading about
another time of turmoil in history gives us a better perspective
on our own troubled times. (Perhaps our two cities today would be
Washington D.C. and Tallahassee, Florida!)
I am a devoted
fan of books on tape, and recommend listening to Dickens if you
feel a little overwhelmed by reading him. His prose is so poetic
that it begs to be read aloud. Choose a taped version that is not
abridged. Two companies that sell unabridged versions of classic
literature are Recorded Books on Tape and Blackstone Audio Books.
The books are inexpensive to rent, about 50 cents a day, and easy
to return after a month. You might consider giving up talk radio
for a month or so and letting Dickens entertain you on your commute
to work, or as you do your housework. I listen to tapes as I walk,
and I'll never forget the day that I listened to the final scenes
of this book, as the tumbrels roll over the cobblestones toward
the guillotine, with the crowd jeering and the terrified victims
looking out on their last moments of life. Sydney Carton speaks
his great lines, "It is a far, far better thing I do, than I have
ever done; it is a far, far better rest I go to, than I have ever
known." Suddenly I realized that I had stopped walking some time
before. I was standing in the middle of the street, and my dogs
were sitting quietly on either side of me, looking up, wondering
what was wrong. Those are the moments for which we read a great
book. Easy, escapist fare will never offer a thrilling, mountaintop
moment like that.
If you'd like
to read A Tale of Two Cities with us, I recommend the Penguin Classic
edition. It is inexpensive and has a good introduction and a timeline
of the events of the revolution, which is helpful. It also has the
marvelous painting by Charles-Louis Muller, titled, "The Roll Call
of the Last Victims of the Reign of Terror" on its cover, which
gives a visual image of the scenes Dickens depicts. If we are going
to get some cranial synapses firing we might notice a little imagery
in the novel, and talk about Dickens's craft for a moment. Shoes
and footsteps figure largely in the imagery, along with knitting
and other homely crafts that are juxtaposed with terrifying events,
symbolizing the way that history leaks into the daily events of
life. Take a look at the titles of his chapters, they often point
to an image you might otherwise miss. Remember that Dickens had
to start over, in a sense, with every installment, so characters
are "marked" by certain mannerisms, modes of dress or patterns of
speech, in order to make them easily identifiable. See if you notice
what these are for each major character. Dickens is criticized for
being too sentimental and melodramatic, and he does go rather over
the top at times. But I have noticed that life is often sentimental
and melodramatic, and Dickens is not afraid to tug our heartstrings,
knowing that oftentimes our better natures are awakened by our emotions.
The plot for this novel is taken from French melodrama, and is quite
simple, but Dickens overlays it with his usual cast of colorful
characters. The psychological portrait of Dr. Manette is a work
of subtle genius, and I defy Stephen King to come up with anything
scarier than Madame DeFarge and her knitting. We'll have to talk
about whether the melodrama gets in the way of the real emotional
impact of the tale, and I'll be interested to hear what you think
of Lucy Manette.
It was difficult
to choose among Dickens's novels, there are so many that would be
fun to read together. I chose this one because it is shorter, almost
by half, than most of the novels, and because it contains a wonderful
message of self-sacrifice that is universally inspiring. I'll share
some of your comments on the book in my next column. Enjoy!
Final
note: In case you're feeling like a little Dickens rather
than a lot, a perfect gift for everyone on your Christmas list would
be Charles Dickens's story of the life of Jesus titled, The Life
of our Lord. This was written for his children and was not published
until just a few years ago. I first heard it quoted in a talk by
President Hinckley, and later found it at Deseret Book. It is a
simple, beautiful retelling of the events of the gospels that reveals
Dickens's faith in the Savior, and his great regard for children.
I bought several copies for friends and enjoyed reading from it
aloud at Christmas time to our children. It's a nice introduction
to Dickens and a lovely way to bring the true spirit of Christmas
into your home.
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